![]() What should you see? The first, The Road to Perdition. Now he has a new film out, The Goldfinch. And it was in the budget to be an effects shot. ![]() Then there’s that shot, going over the Hudson towards the cityscape at night, which I remember was intended to be an effects shot. Not only did they have the skill to execute gorgeous visuals that are forever part of great cinema, but they were able to manage the egos and the politics of filmmaking. From The Big Lebowski to Shawshank Redemption to Blade Runner 2049, cinematographer Roger Deakins has created some of films most beautiful images. Roger Deakins: Yes, there were effects extensions to buildings, and the whole opening was a built model that we shot in a very old-fashioned way. One common factor among Conrad Hall and all the cinematographers I’ve talked about so far, is all of them worked for some of the best directors. My creation of the understanding cinematography series helped a great deal with that. As I gain more experience my ideas about cinematography have changed over the years. His sense of lighting and cinematography is very close to what I lean towards. Conrad HallĪmongst all the cinematographers whose work I’ve analyzed, after Gregg Toland, Conrad Hall’s work hits home the closest. More like this Denis Villeneuve, Roger Deakins - Prisoners set Understanding the Cinematography of Hoyte Van Hoytema. The Night of the Hunter is one you shouldn’t miss. When autocomplete results are available use up and down arrows to review and enter to select. He is the true master of low key lighting. Legendary DP Roger Deakins speaks to ARRI at the 2015 Cannes Film Festival about his work on 'Sicario', which was captured with ALEXA in Open Gate mode. His extreme use of contrast and shadows outdoes both Toland and Gordon Willis. He only shot about 86 movies, according to IMDb. He is well known, but not enough, in my opinion. Wow, he might be the most underrated cinematographer ever. For a completely different take, Dersu Uzala. ![]() If you know any material on his work and techniques, please let me know. It saddens me I can’t find any documentary on him. He had to contend with multiple camera setups under extreme weather conditions, lighting for insane depth of field, long lenses without camera shake, all of that in post-war Japanese budgets. Nakai had to execute whatever Kurosawa wanted. Kurosawa was number one on my director’s list, so this was bound to happen. You guys should check wolfcrow's video too, he did a very inspiration video essay about Roger's works. He has won two Academy Awards and sixteen nominations for his cinematography of over 70 feature. Well deserved mr Deakins After all those years, 14 nominations I fell in love with his cinematohraphy after watch Skyfall. Jim Hill is an award-winning entertainment writer who lives in New Boston, NH. Understanding the Cinematography of Ashok Mehta 4. Deakins is widely considered to be one of the greatest cinematographers of all time. Given all the work that Roger Deakins has put in to help blur the line between live-action and animated features.
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